VIAS LOAFERS







vias loafers by jeffrey campbell via oaknyc.com


Can't get these out of my head.

PUGH

by gareth pugh via farfetch.com

Yeah, yeah, yeah.  Obsessing over another draped, black jacket.  Nothing new.  Also loving this video showing Pugh's process while creating a one-off dress for Nick Knight's SHOWStudio Shop.  I love how much of a motherfucker almost all his stuff would be in the production stages.  Probably why so few of his designs go to retail.



DEEP SEA


  
 by lindsey adelman studio

So you may have seen my post about Lindsey Adelman's 'Knotty Bubbles' here.  Recently, I came across the above images on their blog which they used before their official site was up and running.  There isn't a whole lot on there but the posts give an interesting insight into their process.  I love the organic forms in the images above and want some to wear! Although their blog is no longer active, you can find it here

RICK OWENS APT



by xavier bejot for taschen's 'new paris interiors' via seaofshoes.typepad.com

All kinds of obsessed with these images of Rick Owens and wife Michèle Lamy's Paris home that have been floating around the blogosphere for quite some time.  The mix of stone and fur is best described by Wallpaper* Magazine as 'monolithic'.  Recently, I've been interested in the idea of occupying space.  It is really something to look at these photos and imagine Rick Owens and his wife living and creating in these spaces, let alone going about simple tasks like making a cup of tea in that extraordinary kitchen space.  

I've also watched this interview between Rick, Michèle and Maria Luisa for thecorner.com several times.  I'm fascinated the professional and romantic relationship Owens and Lamy share.  I remember reading somewhere that he was introduced to her by his boyfriend at the time and then worked for her for a couple of years.  Someone should write a biography about Michèle. I love how modern their partnership is. 
I realise this is slowly evolving into a Rick Owens appreciation blog.  I'm completely unapologetic. 


UNCONDITIONAL

laddered scarf by unconditional via unconditional.uk.com

Came across London fashion label UNCONDITIONAL whilst browsing oaknyc.com.  I love the slight Rick Owens sensibility to some of their pieces (Of course I do!).  Their menswear is exceptional.  However, it is this laddered scarf that I was immediately smitten with when I saw their collection online.  Apparently each scarf is hand-laddered, making each piece unique, and takes around 8 hours to make. 

Also available in white and grey at unconditional.uk.com

KERSHAW

by portmans

I love seeing Abbey Lee Kershaw whenever I have time to peruse Portmans.  She always does such a beautiful job of fronting their campaigns, with this season being no exception.  However, the image above is the one I was really taken with.  I believe it was from their F/W season in Australia earlier this year but I could be mistaken.  I remember walking past their store to see this visual in particular in the window and falling in love.  There's something about her as a platinum blonde that elevates her to beyond-human-status. And what to say about those incredible cheekbones.

PINTUCK

pintuck sweatpants by t by alexander wang at openingceremony.us

I would rather enjoy having a pair of these to throw on for lazy days at university. Such an amazing silhouette. 

Can we talk about Alexander Wang's colour palette for a moment here, please? How does this man manage to make black and grey look phenomenal in everything?  Genius.  I love the aubergine he's used in his F/W collection for 2011 as well.  

And how beautiful is this model


BLISS LAU



by taea thale via blisslau.com
In love with these visuals from past season Bliss Lau.  Visuals from this season are equally as evocative.  I also happen to have this and this on my wish list currently. 

OATMEAL

BEN QUILTY


by ben quilty at benquilty.com

I was first turned on to Australian artist Ben Quilty's work in 2009 when he won the Doug Moran National Portrait Prize for his painting of Jimmy Barnes, pictured above. I love his thick, buttery brush work.  His use of colour and texture, particularly in his rorschachs, is incredible and his comments on the mortality and self-destruction of male youth in this country are highly perceptive. All of this aside, his continual interpretations of his son Joe as a hamburger are definite highlights in his body of work.  

By the way, his paintings are all the more impressive in person but be warned: it will be difficult to resist the temptation to reach out and run your hands over them.

 Ben deservedly won the Archibald Prize earlier this year for his painting of fellow artist Margaret Olley. 

SOUL CLUB

karen walker eyewear in soul club via gargyle.com
Optical perfection from Karen Walker.  Also obsessing over these in black, although I wish the frames had the same matte finish they appear to have in the campaign for this collection.  Oh well.  


 

RAVEN ROW

by 6a architects via dezeen

The above are of East London exhibition space Raven Row by 6a Architects.  The building, formerly two silk mercers' houses, was first constructed in 1754 with an adjacent office building added in 1972.  These three spaces were combined to create the current exhibition centre which includes gallery, studio, office and living spaces.  

The architects chose to use charred timber in their material palette, referencing the building's history (It suffered a fire in 1972 which caused extensive damage to the interior).  Charring has also given the timber such an interesting, beautiful texture.  

I love that they've almost completely maintained the original facade of the building and have created this beautiful, simplistic interior intervention. And the contrast of the original fire place in the second image surrounded by new moulding is stunning.  This space must smell incredible.  

I think this excerpt from 6a Architects explains it far more gracefully than I ever could: 
We avoided the Modernist paradigm of contrasting new against old. We took the view that the pre-existing construction need not be consigned to history and framed by the new. We have aimed to make each piece of this evolving puzzle oscillate between past and present. Rather than fixing history in the past, we have allowed for contemporary narratives to be drawn across time and space. 
6a Architects
6a Orde Hall Street
London, United Kingdom
6a.co.uk

3.1

3.1 phillip lim axle neckplate from farfetch.com

In love with the mix of materials in the 3.1 phillip lim neck plates.  The detailing and choice of colour in these pieces is fantastic.  The patent leather and satin with the large hook enclosure in this one in particular comes across as very futuristic, a little thrown together and design-school-worthy accessory perfection. 

GOD IS DEAD

british india - god is dead

MATTEO


oaknyc.com

This ACNE parka has me longing for weather that would deem structural men's outwear such as this appropriate. 

KNOTTY BUBBLES

lindseyadelman.com

Discovered these in a recent issue of (inside) as part of a review on Design Week in Milan for 2011 and immediately fell in love.  Knotty Bubbles is a unique lighting fixture crafted from hand-blown glass and rope.  Designer Lindsey Adelman and her team create these incredible, sculptural, organic pieces out of their studio in Manhattan.  Although all of the pieces are exquisite, Knotty Bubbles is easily the standout work.  

Lindsey Adelman Studio have this to say about the work on their website:
A collection of one-off hand-blown glass light fixtures bound and tethered with intricately knotted rope. The barnacle-like forms are rolled in 23k gold.  The grouping is evocative of shipwrecked pirate's treasure, snarls of Baroque jewelry, and submerged slow growth.
I particularly love the inflated and tangled form of the fixture pictured above. I originally saw Knotty Bubbles with the white rope detailing which gave the piece a different, distinctly more innocent feel.  Personally, I prefer the black.  The rope looks stunning against the warm lighting and the black glass rolled in gold presents a far more luxe connotation than it's neutral counterpart.
Lindsey Adelman Studio   
195 Chrystie Street Unit 203D 
New York, NY 10002
lindseyadelman.com




CITRIC

MICHÈLE LAMY

by steven klein for vogue paris

French icon Michèle Lamy. Wife and muse of designer Rick Owens, perfumier, restaurateur, true eccentric. At once tribal and decked in dimonds.  A mouthful of gold-plated teeth.  Tattooed fingertips.  Positively enchanting and captured by Steven Klein looking like some kind of deity.   



THE MELBURNIAN APARTMENT

by derek swalwell via australiandesignreview.com

Glossy, linear perfection. Completed by Carr Design Group in Victoria, this apartment and it's design reflect a distinctly metropolitan semblance.

Perhaps it speaks to a growing obsession with minimalism, but I find myself completely inclined to 'masculine' interiors.  The polished black granite, simplified furniture forms and cool lighting in these glimpses into the prestigious Melburnian speak to absolute luxury.


Carr Design Group

Carr is an architecture and interior design firm in Victoria, Australia founded by director Sue Carr in 1971.
carr.net.au

CANNELLE CAKE SHOP

johnpawson.com


One of my absolute favourites.  The façade of this London cake shop comprises etched glass panels with a square of clear glass framing a single cake. To walk by this on the street at night, illuminated from within, would be something, don't you think?